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研究生: 邱莉媛
Li-Yuan Chiou
論文名稱: AI在設計中的角色:圖像生成技術對創意思維的影響
The Role of AI in Design: Impact of Image Generation Technologies on Creative Thinking
指導教授: 梁容輝
Rung-Huei Liang
口試委員: 陳建雄
余能豪
梁容輝
學位類別: 碩士
Master
系所名稱: 設計學院 - 設計系
Department of Design
論文出版年: 2023
畢業學年度: 112
語文別: 中文
論文頁數: 48
中文關鍵詞: 人機互動人工智慧設計流程生成式人工智慧設計方法
外文關鍵詞: AI, Generative, Midjourney, Design, Annotated portfolio, Moodboard
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  • 這項研究的目的是探討將人工智慧(AI)圖像生成器整合進設計流程的影響。透過實驗和訪談,研究聚焦於設計師如何與 AI 共同發想設計提案。研究方法包括透過設計進行研究(RTD)、半結構化訪談及放聲思考法。六位設計師被邀請與 AI 共創,過程包括收集案例、製作註記式作品集和使用圖像生成工具生成圖片。研究結果發現,人與AI 溝通、合作時,會經歷將內在資源外部化並且交換的過程,而細節可以透過「雙向溝通框架」來闡述。此外「提示詞策略」展示了不同設計師在使用圖像生成工具時的不同行為特徵與目的,而「設計師作為策展者」則強調可用的生成圖提供了至少三種不同元素(概念、情境與形式),而設計師的角色則由單純的創作者進化成具備策展能力的創作者,執行與策展相近的行為:從這些圖像中挑選可用元素並重組出最終結果。在討論中也提到 AI 介入創作流程後所產生的道德、教育及正義的影響,以及未來可持續努力的研究方向。


    This study examines the integration of Artificial Intelligence (AI) image generators into design processes. Utilizing experiments and interviews, it explores how designers collaborate with AI in conceptualizing designs. The methodology includes Research Through Design (RTD), semi-structured interviews, and think-aloud methods. Six designers participated in creating with AI, involving case study collection, annotated portfolio creation, and image generation. The findings reveal a process of externalizing and exchanging internal resources between humans and AI, elaborated through a ”bidirectional communication framework.” Additionally, ”prompt strategies” show varying behaviors and intentions of designers using image generators, while ”designers as curators” emphasizes the selection
    and reassembly of elements from generated images, evolving the designers’ role from mere creators to curators. The study also discusses the ethical, educational, and justice implications of AI’s role in creative processes and suggests future research directions.

    論文摘要........................... ............. I Abstract........................... ............. II 誌謝.......................................... III 目錄.......................................... IV 圖目錄 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VII 表目錄......................................... X 第一章緒論..................................... 1 1.1 研究背景與動機............................... 1 1.2 研究目的................................... 2 1.3 研究架構................................... 2 第二章文獻探討................................... 4 2.1 人工智慧................................... 4 2.1.1 人工智慧圖像生成工具....................... 4 2.1.2 生成式人工智慧輔助創作...................... 5 2.1.3 人工智慧輔助設計現況....................... 5 2.2 設計方法................................... 6 2.2.1 發散-收斂模型 ........................... 6 2.2.2 雙鑽石模型............................. 7 2.2.3 情緒板 ............................... 8 2.2.4 註記式作品集............................ 9 第三章研究方法................................... 10 3.1 回顧性放聲思考法.............................. 10 3.2 質化訪談................................... 10 3.3 透過設計的研究............................... 11 第四章實驗設計................................... 13 4.1 前測研究................................... 13 4.2 實驗流程................................... 13 4.3 實驗流程設計的反思 ............................ 19 第五章研究結果................................... 22 5.1 實驗結果與分析............................... 22 5.2 雙向溝通框架................................ 22 5.3 提示詞策略 ................................. 24 5.4 設計師作為策展者.............................. 34 5.4.1 概念圖像:提供概念的抽象元素。................. 34 5.4.2 場景圖像:涉及設計物、用戶和環境之間交互作用的基於場景的 元素。 ............................... 35 5.4.3 形式圖像:圖像具有與設計物的形式相關的材料、形狀、顏色或 其他元素。............................. 35 5.5 結論..................................... 38 第六章討論..................................... 40 6.1 註記協助創作................................ 40 6.2 AI在設計過程中的應用........................... 41 6.3 設計師的新學習機會 ............................ 41 6.4 用AI重塑設計方法............................. 42 6.5 版權問題和資源分配不均.......................... 42 6.6 未來研究方向................................ 42 授權書......................................... 49

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