本研究針對色彩恆常此一議題，從人類視覺以及設計的角度切入，嘗試以實驗法進行檢驗與反證。在現存的色彩恆常定義與解釋方面，本研究根據色彩恆常之古典理論所提出之主張，並針對現存色彩恆常之各家定義進行剖析，嘗試建構一個色彩恆常的操作型定義，並提出二項基本質疑。在方法上的取向方面，本研究收集近50年來有關色彩恆常之重要實驗，分別針對比對時間序、配對方式和受測者三項因素進行綜合討論與分析，嘗試找出影響色彩恆常之重要因子。
根據現有文獻，本研究企圖提出一個適當的研究架構，以Brunswik (1956)的透鏡模型 (Lens Model) 為基礎，針對記號、位置、色相、明度、色差、主觀明度排序和色溫共七種相關線索，提出5組共計11個假設 (脈絡假設vs.表徵假設、引導假設vs.推論假設、相對明度假設vs.類比明度假設、漠視假設vs.預期假設、白色最亮假設vs.灰色世界假設vs.黑色最暗假設)，分別以記憶、推理和預期三個反證實驗，比較和錨定二個檢測實驗，進一步檢驗色彩恆常相對於人類視覺之適切性。
另一方面，本研究以色彩恆常之操作型定義為基本架構，嘗試融合Shannon和Weaver (1949) 的溝通程序模型，嘗試提出一個以人類視覺為基礎的色彩恆常認知模型，並納入認知心理中的上行歷程與下行歷程，提出「記憶」、「推理」和「比對」三種認知模組，以及「純粹的上行歷程」和「上下行歷程兼備」二種典型，嘗試解釋人們在達成色彩恆常中可能採用的認知策略。同時，在歷經五個實驗之後，本研究根據實驗所得，對當代設計師提出，因應色彩恆常相關議題的三大項設計建議：(1) 提供積極資訊，包括色彩本身或色彩以外的資訊；(2) 設定視覺極限，包括表面色彩和照明光譜成份上的最小閾值；(3) 改善設計師資源，包括設計環境和設計師養成。據上，期能在科技日趨進步的複雜照明環境中，建構最適合人類視覺的環境識別設計。

This study verifies and discusses color constancy with experimentation in terms of human vision and design. In color constancy definitions and interpretations, an operational definition for color constancy will be developed and 2 basic questions are posed by analyzing various color constancy definitions proposed by different schools based on classic color constancy theories. In the approach method, this study has collected major experiments of color constancy over the past 50 years to locate major factors affecting color constancy in three aspects: comparison time sequence, matching method, and subjects.

With reference to the literature, this study attempts to establish an appropriate research framework based on the Brunswik’s Lens model (1956), and proposes 11 hypotheses in 5 groups in terms of the correlations among symbol, location, hue, lightness, color difference, subjective lightness ranking, and color temperature to compare and anchor two evaluative experiments in terms of 3 argumentative experiments: Memory, Inference, and Expectation to further examine the suitability of color constancy in human vision. These hypotheses include Context vs. Representation, Guidance vs. Inference, Relative Lightness vs. Analogue Lightness, Disregard vs. Expectation, White Patch vs. Gray World vs. Black Patch.

This study also attempts to propose a human-vision-based color constancy cognition model by integrating the Communication Models of Shannon and Weaver (1949) according to basic framework established according to the operational definition of color constancy. By integrating the result to bottom-up process and top-down process from Cognitive Psychology, 3 cognitive modules, "Memory", "Reasoning", and "Comparison", and 2 patterns, "Pure bottom-up process" and "Bottom-up and top-down mixed process" are proposed to explain the possible cognitive strategies humans adopt to achieve color constancy. Also, after these 5 experiments, this study makes 3 color-constancy-related design recommendations for contemporary designers: (1) providing aggressive information, including color and extra-color information; (2) defining visual limits, including the minimum threshold values in surface colors and illuminant spectrum; and (3) improving designer resources, including design environment and designer formation. By doing so, this study attempts to develop an environmental identification design that is most suitable for human vision in sophisticated illumination environment during these times of continuous technological advancement.

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