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研究生: 林庭如
Ting-Ju Lin
論文名稱: 非口語互動介面之風格與動靜狀態研究
The Represented Form and Status of Interface for Non-verbal Communication Interaction
指導教授: 陳建雄
Chien-Hsiung Chen
口試委員: 吳志富
Chih-Fu Wu
杞昭安
Chao-An Chi
鄭金典
Jin-Dean Cheng
柯志祥
Chih-Hsiang Ko
學位類別: 博士
Doctor
系所名稱: 設計學院 - 設計系
Department of Design
論文出版年: 2018
畢業學年度: 106
語文別: 中文
論文頁數: 113
中文關鍵詞: 擴大性及替代性溝通系統風格動靜狀態失語症
外文關鍵詞: Augmentative and Alternative Communication (AAC), Represented Form, Status
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人機介面大量運用於族群溝通,且搭載於數位媒體例如平板電腦或智慧型手機已為潮流趨勢。因此,令人滿意的介面型態有其研究必要性。本研究結合介面、互動、認知、特殊教育之跨領域研究,目的在於了解非口語溝通環境中,符號介面以何種模式表現,能夠達到最佳溝通成效。研究目前聚焦在符號介面的再現風格與動靜狀態之偏好。研究分為兩大部分:1.表情符號(emoticon),2.核心字彙符號(core vocabulary)兩者研究皆同時採以質量並行的研究方法,結果將提供介面設計參考並期提升溝通品質以降低損害。

在表情符號的研究上,將符號分類為:風格-抽象幾何、擬人化、具象化,狀態-動態、靜態。調查結果發現,當表情符號「風格」從抽象幾何變化至擬人化、再到具象時,相對的,使用者偏好的符號狀態,也由靜態轉變為動態,呈現交互作用。質性訪談除了再次應證量化研究的上述結果,並發現風格與動靜狀態的關係中,同時也牽引著使用者人際互動親密關係的軸線。

在核心字彙的探討上,依擴大性及替代性溝通系統(Augmentative and Alternative Communication, AAC)常用歸類區分為:人的關係名詞、物體名詞、動詞、和形容詞(含副詞)四詞性做兩種常見風格-攝影與線條稿,以及動靜狀態的研究。風格的結果顯示,名詞採攝影風格皆有較高的偏好程度;而部分動詞和形容詞採線條稿風格的偏好程度較高。狀態的結果顯示,名詞偏好純粹靜態形式;動詞與形容詞則需視其字彙義涵本身的概念是否具抽象性而決定其動靜狀態。符號字彙意涵再現時可依賴的具象性越高時,動態形式的偏好程度就越高,反之,其可依賴的具象性越低、概念抽象成分越高,靜態形式的偏好程度則越高。一般人與失語症者的偏好結果大致相同。在失語症者的質性訪談過程中更發現,符號的視覺內容構成上,若含有具體物件、人臉、正向情緒表現以及互動時,會增強個人自信與愉悅感受;以線條輔助來提示因果連續或細微變化的動詞是較受喜愛的。

未來將納入更多字彙意涵的分析對照並加入色彩與文化的變項探討。此外,建議將動態符號的動態頻率做更細緻的劃分,以了解使用者認知過程的運作、閱讀的流暢性以及偏好程度,以提供給非口語介面設計者參考。


Interface has been applied to human communication and represented via tablet or smart phone. It is necessary to do research with satisfied interface. This study combines with interface, interaction, cognition and special education fields and focuses on the preference of symbol represented form and status. It contains eomticons and core vocabulary two parts and discusses with normal and Aphasia users. The two parts adapt both quantitative and qualitative methods, and the purpose is to analyze the representation form and status for communication interface design to improve the communication quality.

The emoticon study classifieds eomticons as forms (abstract/geometric, personification, and concrete) and status (animation and static) to construct a investigation. The quantitative investigation revealed that when the form of an emoticon shifted from abstract/geometric to personification and subsequently concrete, the status of the emoticon deemed suitable by the users also shifted from static to animated. Furthermore, the qualitative focus group discussion unexpectedly contributed that the participants used particular emoticon forms and status in accordance with the timing/intimacy and targets of their conversations.
The core vocabulary study concentrated on Augmentative and Alternative Communication single-meaning symbols, and it classified the vocabularies as people related nouns, object nouns, verbs and adjectives (incl. adverbs) to discuss represented form (photographs and line drawings) and status. From the perspective of representation form, the results showed that all the preference of nouns is high with photograph nouns and the preference of part verbs/adjectives is high with illustration form. Meanwhile, from the perspective of status, static nouns are preferred. The abstract level of concepts determined the status of verbs and adjectives. When the abstract level is higher and the static preference is higher. The preference results are almost shared with both normal and Aphasia adults. In addition, it is founded from Aphasia interviewers that symbol visual elements of figurative objects, human faces, objective emotion and interactions expressions would contribute personal confidence and pleasure. Moreover, Aphasia interviewers also prefer verbs which contain cause-effect relation concepts to be represented with supplemented lines.

This study focused on certain high frequency vocabularies and it would include more vocabularies, color and culture factors in the future studies. In addition, animated symbols would be classified with more dynamic levels to discuss user cognition, fluency of reading and the preference. The results could contribute to symbol designers as interface guidelines.

中文摘要 ii Abstract iii 誌謝 iv 表索引 vii 圖索引 x 一、緒論 1 1-1研究背景與動機 1 1-2研究目的 2 1-3研究範圍與限制 2 1-4研究流程 3 二、文獻探討 4 2-1表情符號 4 2-1.1表情符號的使用 4 2-1.2表情符號的特質 5 2-2擴大及替代性輔助溝通系統(AAC) 7 2-2.1溝通符號分類現況 9 2-2.2溝通符號表徵透明度之相關研究 11 2-3符號視覺風格與動靜狀態 11 2-3.1實物攝影與線條稿風格 11 2-3.2動靜狀態 12 2-3.3綜合研究 13 三、表情符號之視覺風格與動靜狀態研究 15 3-1前言 15 3-2研究設計與程序 15 3-2.1風格與動靜兩階狀態2*3實驗 17 3-2.2焦點訪談 18 3-3結果與分析 18 3-3.1統計結果與分析 18 3-3.2焦點訪談結果與分析 24 3-4研究結論 25 四、核心字彙之視覺風格與動靜狀態研究:一般使用者 28 4-1前言 28 4-2研究目的與研究問題 29 4-3研究設計與程序 29 4-4四類詞性範疇之表徵透明度 31 4-5動詞/形容詞風格與動靜狀態 34 4-5.1第一階段:動詞/形容詞之兩種風格與三種內容調查 35 4-5.2第二階段:動詞/形容詞之兩種風格與兩種動態程度調查 45 4-6結果與分析 64 4-7研究結論 67 五、核心字彙之視覺風格與動靜狀態研究:失語症者 68 5-1前言 68 5-2研究設計與程序 68 5-2.1研究範圍與限制 68 5-2.2失語症研究對象 68 5-2.3研究流程與步驟 70 5-3四類詞性範疇風格與動靜狀態 71 5-4動詞與形容詞風格與動靜狀態 71 5-4.1資料收集 71 5-4.2研究工具分析 72 5.5結果與分析 73 5-5.1四類詞性範疇之表徵透明度與風格研究結果 73 5-5.2動詞/形容詞與風格/動靜狀態研究結果 77 5-5.3檢視資料與紮根 81 5.6研究結論 83 六、結論與建議 87 參考文獻 90 附錄 99

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