論文中研究設計方法之創建在於解決設計者因過度圖像思考之後所忽略大腦思考創建的能力部分，因建築是詮釋意識的一種手法用以回應現象學的本質，現象學的本質在於能喚起人類意識的崛醒以及對外在經驗的捕捉，於是若以「現象學」支引建築創作的可能性，除了能夠藉由不同的角度去探索其中蘊含的想像，更能讓我們將認知中的觀念賦予新的意義，同時突破過度圖像思考之後的設計缺面。故論文研究重點著重於以現象學觀點及詩意文本作為設計導入前的相關性連結，企圖尋求一個創新的思考方式與設計模式，並且透過「微仿體」的概念發想引申出以環境為本的設計模式，將環境觀察與材料實驗的手段落實在現實狀況的反思中，進而形成創新的設計方法與創造性的思維突破。惟建築本身就是一種既單純又複雜的綜合體，我們很難以任何一種方法來詮釋建築的多樣層面，但本研究最終還是期望能提供一種新的設計方法並且採取在以基地為主的狀態與角度思考成型，使形式的創造除了自主觀點之外皆融合於外在環境的條件所共創的影響，發展出兼具現實議題與空間形式的結果。

The design method in this study was created to solve the part that the ability about how to create brain thinking which has been ignored by the designers because of excessive image thinking. Architecture is a means of interpreting consciousness which respond to the essence of phenomenology, and the essence of phenomenology is to arouse the rise of human consciousness and capture the external experience. Hence, if the possibility of architectural creation is supported by "phenomenology”, it not only can explore the ideas contained in it from different angles, but also can give new meaning to the concept of cognition, and break through the design defect after excessive image thinking at the same time. Therefore, this research focus on the use of phenomenological views and poetic texts as a relevant link before the introduction of design, trying to seek an innovative way of thinking and design. Furthermore, we will introduce an environment-based design model through the concept of "Micro-mimulated object" to implement the methods of environmental observation and material experiment in the reflection of reality, and then form innovative design methods and creative thinking breakthroughs but architecture itself is a simple and complicated complex that is difficult for us to interpret the various aspects of architecture in any way. However, in the end, this research is expected to provide a new design method with site-based state and forming it with angle thinking. Formal creation, in addition to autonomous perspectives, the effects on the conditions that are integrated into the external environment have develop a result that combines realistic issues with spatial forms.

（中譯書目）
[1] Bachelard, Gaston著，龔卓軍、王靜慧譯，(2003)，《空間詩學》，臺北市：張老師文化事業股份有限公司。
[2] Bachelard, Gaston著，劉自強譯，(1996)，《夢想的詩學》，上海：三聯書局。
[3] Dermot Moran著，蔡錚雲譯，(2005)，《現象學導論》，國立編譯館與臺北市: 桂冠。
[4] H. Rombach著，王俊譯，(2009)，《作為生活結構的世界–結構存在論的問題與解答》，上海：上海書店。
[5] Karl Marx、Friedrich Engels著，中央編譯局譯，(1956)，《馬克思恩格斯全集–第三卷》，人民出版社。
[6] Tarkovsky, Andrey著，陳麗貴、李泳泉譯，(2003)，《雕刻時光–塔可夫斯基的電影反思》，人民文學出版社。
[7] Wilson, Colin St. John著，吳家琦譯，(2014)，《關於建築的思考：探索建築的哲學與實踐》，北京：華中科技大學出版社。
[8] 伊東豊雄著，謝宗哲譯，(2008)，《衍生的秩序》，臺北市：田園城市文化。
[9] 隈研吾著，林錚顗譯，(2010)，《自然的建築》，臺北市：博雅書屋。

（中文書目）
[1] 季鐵男，(1992)，《建築現象學導論》，臺北市: 桂冠。
[2] 葉樹源，(1983)，《建築與哲學觀》，臺南：世峰出版社。
[3] 彭怒、支文軍、戴春，(2009)，《現象學與建築的對話》，上海：同濟大學出版社。

（西文書目）
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[7] Bachelard, Gaston. (1971), The Poetics of Reverie: Childhood, Language, and the Cosmos, trans. by Daniel Russell, Boston: Beacon Press.
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[10] Broadbent, Geoffrey. (1972), The Development of Design Methods,〈Design Methods and Theories〉, No.13. 1979. pp.41-45.
[11] Broadbent, Geoffrey. (1988), Design in architecture : Architecture and the human sciences, London : David Fulton.
[12] Boyd Davis, S ; Gristwood, S. (2016), The Structure of Design Processes: Ideal and Reality in Bruce Archer’s 1968 Doctoral Thesis, Proceedings of DRS 2016, Design Research Society 50th Anniversary Conference, Brighton, UK, 27–30 June 2016.
[13] Brown, R. T. (2008), Design thinking, Harvard Business Review , pp.84-95
[14] Brown, R. T. (1989), Creativity: What are we to measure? In J. A. Glover, R. R. Ronning, & C. R. Reynolds (Eds.), Handbook of creativity, pp. 3-321, New York: Plenum Press.
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[16] Giedion, S. (2008), Space, time and architecture : the growth of a new tradition, Cambridge, Mass. ; London : Harvard University Press.
[17] Guest Edited by Leon van Schaik, AD Architecture Desidn no 156, Poetic in Architecture. Wiley Academy, 2002.03, London , U.K.
[18] Gray, C. (2016), What is the Nature and Intended Use of Design Methods?, Proceedings of DRS 2016, Design Research Society 50th Anniversary Conference, Brighton, UK, 27–30 June 2016.
[19] Holl, Steven ; Pérez Gómez, Alberto ; Pallasmaa, Juhani. (2006), Questions of perception: phenomenology of architecture, San Francisco, CA: William Stout, pp. 155.
[20] Husserl, Edmund.(1954), Die Krisis der europäischen Wissenschaften und die transzendentale Phänomenologie. Ed. Walter Biemel, Den Haag: Martinus
Nijhoff, (= Husserliana VI).
[21] Heidegger, Martin.( 1975, cc1971), Poetry, Language, Thought, New York : Harper & Row.
[22] Jones, J. Christopher. (1970), Design methods: seeds of human futures, London, Wiley-Interscience Press.
[23] Jones, J. Christopher. (1992), Design methods, New York : Van Nostrand Reinhold
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[26] Lucci, Roberto ; Orlandini, Paolo. (1990), Product design models, New York: Van Nostrand Reinhold.
[27] Leavy, B. (2010), Design thinking - a new mental model of value innovation. Strategy & Ledarship, 38(3), pp.5-14.
[28] L.Bruce Archer. (1965), Systematic method for designers, London : Council of Industrial Design.
[29] Merleau-Ponty, Maurice.(2002), Phenomenology of perception, London ; New York : Routledge.
[30] Mitchell, William J.(1990), The Logic of Architecture: Design, Computation, and Cognition , the MIT Press, Cambridge.
[31] Norberg-Schulz, Christian.(1980), Genius loci: towards a phenomenology of architecture, London: Academy editions.
[32] Norberg-Schulz, Christian.(1963), Intentions in architecture, Oslo: Universitetsforlaget.
[33] Peter Zumthor, A Way of Looking at Things, A+U,1988 : 02(Extra Edition) , p6.
[34] Ruskin, John.(1883), The seven lamps of architecture, New York: J. Wiley & Sons.
[35] Schaffranek, R., Vasku, M.(2013), SPACE SYNTAX FOR GENERATIVE DESIGN: On the application of a new tool , Proceedings of the Ninth International Space Syntax Symposium 050:1~050:12, Seoul: Sejong University.
[36] Sternberg, R.J. (2003), Creative thinking in the classroom. Scandinavian Journal of Educational Research, 47(3), pp.325-338.

（網路資料）
ISARCH awards for architecture students / 6th Edition
http://www.isarch.org/en/projects-gallery_12227?edition=6

A+創意季(A+ Creative Festival)
http://www.a-plus-creative-festival.com.tw/index

2015 OISTAT第九屆國際劇場建築競賽
http://tw.oistat.org/

Competition | Social Revolution 2014
http://socialfest.ru/w/competition/

Red Dot Award: Design concept
https://www.red-dot.sg/en/about-us/