展示空間的佈光過程中，除了考量光線數量是否能滿足人們使用需求外，對於照明質量的運用所呈現出來的視覺美感與藝術價值也格外重要。本研究使用心理物理學方法，探討展示空間照明的佈光方式對視覺感受之影響。
本研究包含兩個實驗，實驗一「各式照明條件對三維展物之評價影響」與「各式照明條件對二維畫作之評價影響」。針對不同的佈光方式、投光角度、亮度控制等物理因素進行測量，並採用兩種形式的展物於展示空間中進行心理物理學方法，分析受測者對不同佈光方式之視覺感受影響，最後提出合適的照明佈光方式。
實驗一結果發現，天花板頂光的基礎照明與背景牆垂直照度多寡對於展物立體感無影響，反而是受軌道燈的水平入射角影響，其中又以45度角更容易表現展物之美學輪廓，因此受測者也越喜歡；不同佈光場景的背景牆垂直照度越高，也提升展示空間感知亮度，但對於空間舒適程度無明顯影響。
實驗二結果發現，當背景牆為均勻光線時，背景牆垂直照度越高，畫作越能呈現出其紋理細節，整體畫面看起來則越清晰也更受喜歡；當背景洗牆呈現強烈的投射照明時，畫作的紋理細節、清晰度與喜好度影響不大，但45度軌道燈投射照明皆優於0度；然而不同佈光場景的背景牆垂直照度越高，也提升展示空間感知亮度與舒適度，又以45度角更容易呈現空間舒適度。

Visual aesthetic and artistic value presented by the use of lighting quality are very important in the lighting design of the exhibition space. Thus, in this research, psychophysical experiments were conducted to investigate influences of interior lighting design on visual responses to the exhibits.
The research consists of two experiments. The first experiment investigated influences of different lighting conditions on visual responses to a 3D object; the second experiment used a 2D painting as the exhibit. For different lighting arrangements, lighting design and brightness control were regarded as physical factors, and two kinds of exhibits were used as the stimuli for each observer's visual assessments.
The results of experiment 1 show that general lighting on the ceiling and the vertical illuminance at the background wall seems to have little impact on the sense of depth of the 3D object. The horizontal incident angle of the track light seems to have a strong impact. The 45˚ track light showed greater sense of depth of the exhibit than the 0˚ track light. The vertical illuminance at the background wall seems to have a strong impact on the perceived brightness of the room; the higher the illuminance, the higher the perceived brightness. However, the illuminance level seems to have little impact on the perceived comfort of the room.
For the second experiment, the higher the vertical illuminance at the background wall, the greater details in texture the painting appears to show, and thus the clearer and more liked the painting appears to be. For the background wall being lit mainly by the spot light, the vertical illuminance at the background wall seems to have little impact on the details in texture, the clearness and the liking. There seems to be greater impact under the 45˚ track light than under the 0˚ track light of the painting.

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