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| 研究生： |
賴信佑 Hsin-Yu Lai |
|---|---|
| 論文名稱： |
以衍生設計手法探討環繞型梯田音樂廳於初步設計上的應用 Generative Design of Surround Vineyard Concert Hall for Early Stages of Architecture |
| 指導教授： |
江維華
Wei-Hwa Chiang 蔡欣君 Shin-Jiun Tsai |
| 口試委員: |
江維華
Wei-Hwa Chiang 施宣光 Shiuan-Guang Shih 蔡欣君 Shin-Jiun Tsai 林葳 Wei Lin |
| 學位類別： |
碩士 Master |
| 系所名稱： |
設計學院 - 建築系 Department of Architecture |
| 論文出版年： | 2021 |
| 畢業學年度： | 109 |
| 語文別： | 中文 |
| 論文頁數： | 65 |
| 中文關鍵詞： | 環繞式梯田音樂廳 、參數化設計 、衍生式設計 、聲學性能 、初步設計 、人機協做 |
| 外文關鍵詞： | Surround-Vineyard Concert Hall, Parametric Design, Generative Design, Acoustic Quality, Human-robot collaboration, Preliminary design |
| 相關次數： | 點閱：436 下載：1 |
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環繞式梯田音樂廳具備親近舞台優勢，廣受觀眾喜愛，建築師也有創意發揮空間，但其聲學性能受到席位區塊間的交互影響，需要費時的逐一微調。參數化設計能快速的進行生成、評估、修正之優化程序，達到多方整合，也能結合AI自動生成，突破已知形式的可能性。於此本研究嘗試著將衍生式設計手法納入初步設計過程中，輔助性能與美學的共塑，藉此減輕設計發展過程中建築師與顧問的龐大負擔。
而關於如何有效的輔助設計人員，根據過往學者對於建築設計思維與定位的研究所提，早期的設計方法主要採匠人模式，該特色是設計與營造並行，過程中整合度相當高，但礙於個人能力，在面對綜合性需求時總難以達到理想的結果，而近代的設計方式主要採設計與營造分流，雖然能解決上述問題，但在面對需要高性能與美學的設計，反而缺少如同匠人模式般的高整合度。
對於如何透過參數化設計手法輔助廳堂發展，回顧過往案例Boyd Auger於1972年透過電腦即時輔助檢驗建築法規並協助產出方案的成功，會發現以人機協作方法處理複雜且重複性高的問題上確實具備一定的實用性，且現今電腦的運算能力較當時提升許多，除了能進行即時性能分析，也能協助掌握各設計因子的發展，因此筆者選定參數化手法進行衍生式設計，輔助環繞式梯田音樂廳的規劃。
The presence of surround vineyard concert halls is welcomed by designers and general public because of the intimate performer-audience relationships and the high degree of design freedom the halls offer. However, due to the acoustic inter-dependency among terraces, the success relies heavily on time-consuming fine tuning. Generative design provides fast looping of generation, evaluation, and modification, enabling integration among parties, and random scheme generation, offering exploration of possibilities.
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