研究生: |
程彥彰 Yan-jang Cheng |
---|---|
論文名稱: |
有機形之設計創作 The Design Creations of Organic Shape |
指導教授: |
鄭金典
Jin-Dean Cheng |
口試委員: |
柯志祥
Chih-Hsiang Ko 范振能 Jeng-Neng Fan |
學位類別: |
碩士 Master |
系所名稱: |
設計學院 - 設計系 Department of Design |
論文出版年: | 2014 |
畢業學年度: | 103 |
語文別: | 中文 |
論文頁數: | 116 |
中文關鍵詞: | 有機設計 、細胞分裂 |
外文關鍵詞: | Organic Design, cell division |
相關次數: | 點閱:184 下載:10 |
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有機設計的靈感來源是藉由生物體態優美的形態與構造來傳達其意念,會有如此豐富的設計資源是大自然經歷漫長的歲月所淬鍊的結果。然而現今國內的有機設計,對於其定義的認知,大多只是強調其造型風格,逐漸淡忘了有機設計其原始的本質與語意。本創作論文試圖探討生命的源頭-「細胞」作為有機型態的原使出發點,以新的思考模式來定義其本質,提出一套可供產品設計參考的有機設計流程,為現今設計趨向單一化的簡約風格,提出另一個思考的可能性。
本創作論文先從論述有機設計的起源與定義開始,探討有機設計於設計史上的發展與定義,並探討細胞生物學等相關文獻。在創作方法部分探討目前有機設計等相關創作,並加入有機設計師的比較,探討其設計手法之間的差異與運用元素,發展出可運用於產品設計的有機設計流程。
本創作論文成果以三件作品來檢視產品設計有機形態於細胞為創作元素的使用性,分別為(1)塊體花瓶系列(Cube Vase Series),以細胞行細胞分裂時產生的形變,以分裂階段的過程導入花器設計的概念。(2)細胞燈(Cell Light),以細胞內部染色體運行的軌跡來發展出立燈形式的設計。(3)生命之圓(Circle of Life),以細胞做分裂時產生的等比數列模式,設計一款燈光多變化的吊燈。
The organic design is inspired by the refined biological shape and structure to convey its ideas. The rich design resources are contributed to the nature which experienced through the time of refinement. However, the current domestic definition of organic design is mostly emphasizing the styling and forgetting its original essence and semantics gradually. The design creation attempts to explore the source of life- “cells” as the original starting point of organic shape. By the new thinking model to define its nature and present an organic design flow as product design reference. It raises other possibilities to the
minimalist design trend nowadays.
The design creation discusses from the origins and definition of organic design
through its development in design history, and to the related reference in cell biology.
Methods discussed in current creation of organic design and other related reference, and comparison of organic designers to explore the differences in design approach and the elements in use to develop an applicable organic design flow for product design.
The result of the design creation performs 3 works to exam the usability of products designed for the use of organic shapes in the cells as creation elements. There are: (1) Cube Vase Series. The concept is inspired by the process of deformation produced in cells during cell division, which imports the splitting phase into design approach. (2) Cell Light. By manipulating the running track of chromosome inside the cell to design a floor lamp. (3)Circle of Life. A chandelier design with various lighting, which utilizes the geometric pattern generated when the number of columns in the cell division.
外文書
1. Fred Gutheim (1975) 《 In the cause of architecture, Frank Lloyd Wright : essays》
2. Patterson, Terry L. (1994) 《Frank Lloyd Wright and the Meaning of Materials》
3. David Pearson (2001) 《Organic Architecture: The Breaking Wave》
4. Albrecht Bangert (2004) 《Colani: 50 Years of Designing the Future: Fifty Years of
Designing the Future》
5. Ross Lovegrove (2007) 《Supernatural: The Work of Ross Lovegrove》
6. Jerome Klinkowitz (2014) 《Frank Lloyd Wright and His Manner of Thought》
7. Charles Jencks (1980) 《後現代的建築語言 Post Modernism Classicism》
中文書
8. 呂清夫 (1900) 《造形原理》
9. Nikolaus Pevsner 著 蔡毓芬譯 (1996) 《新藝術運動(上)》、《新藝術運動(下)》
10. 王受之 (1997) 《世界現代設計》
11. 林銘煌(2000) 設計學報-產品設計中造型的編碼與解碼
12. 林萬福、楊裕富 (2002) 《後現代設計藝術:E 行銷品味論!N 世代流行戰!》
13. 王麗卿 (2003) 《藝術家具設計創意與設計概念的來源淺論》
14. 林東龍、余佳芳(2005) 《符號意象在產品造形上之探討-以義大利設計風格為例》
15. 林崇宏著 (2007) 《設計基礎原理-造形與構成的創意思考》
16. 大石正道著 洪悅慈譯 (2008) 《圖解生物學》
17. 丑宛茹 (2009) 《設計大師,不是天上掉下來的!Dig-Insight 40+》
18. 李銘杰等著 (2011) 《圖解生命科學》
19. 林銘煌(2012) 設計學報-極簡主義在設計上的形式表徵與發展趨向
網頁
20. 再談「仿生」設計http://blog.udn.com/ellieshih/1064004#ixzz1snGSAmGd
21. CarDesignNews http://www.cardesignnews.com/site/desig ... item78606/
22. BBC-Homes-Design-Scandinavian-modern
http://www.bbc.co.uk/homes/design/period_scand_mod.shtml