簡易檢索 / 詳目顯示

研究生: 劉卉倫
Hui-Lun Liu
論文名稱: 應用有色光源於3D數位模型浮水印隱藏技術之研究
Study on Hidden Watermarking for 3D Digital Models under Different Color Lighting
指導教授: 林宗翰
Tzung-Han Lin
口試委員: 羅梅君
Mei-Chun Lo
陳鴻興
Hung-Shing Chen
孫沛立
Pei-Li Sun
林宗翰
Tzung-Han Lin
學位類別: 碩士
Master
系所名稱: 應用科技學院 - 色彩與照明科技研究所
Graduate Institute of Color and Illumination Technology
論文出版年: 2017
畢業學年度: 105
語文別: 中文
論文頁數: 78
中文關鍵詞: 三維模型浮水印技術色彩感知圖學渲染
外文關鍵詞: 3D model, digital watermarking, color perception, computer graphics
相關次數: 點閱:433下載:9
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報
  • 隨著科技的發展,3D 資訊領域逐漸成為當今世代的發展趨勢,3D相關產業也隨之增加,如三維掃描器、三維列印機以及3D繪圖軟體。透過商用或免費繪圖軟體亦或是三維掃描器,消費者可以輕易創作專屬的彩色數位作品。此外隨著網路時代的來臨,資訊傳遞的方式較以往更不受空間或時間限制,藉由網路取得資訊作品亦是方便,數位資訊的產生也會隨之增加,因此而衍伸出智慧財產權的問題,而浮水印也是資訊安全應用上的一種版權宣告的方式。
    本研究主要目標為對三維模型的版權宣告的方法,提出一種藉由模型顏色以色差的方式來藏匿浮水印,在原始的3D 模型嵌入一個JND (Just noticeable difference)人眼察覺不出的色差顏色,透過渲染方式將特定虛擬光源渲染投射在 3D 模型上,使得浮水印和原始的模型之間產生可以被人眼觀察出的色差,以達到版權宣告的方式,並且透過人因實驗來評價其隱藏以及防偽效果之可行性。
    實驗結果發現,所提出的方法是可行的,且探討隱藏浮水印的方法中發現,人眼對於明度上的改變較為敏感,因此改變色度上的變化方式,其浮水印隱藏性較好,讓人眼察覺不到浮水印的存在。而解碼燈光提取浮水印時,可選擇該藏匿的浮水印顏色之對立色當作其解碼燈光可以有較好效果。


    With the rapid development of technology, the 3D field is getting popular. The 3D related products massively increase, such as the 3D scanner, 3D printer and 3D graphics software. By using these products, consumers can generate their own 3D models easily. Simultaneously, the digital media and network are getting common as well. Nowadays, the delivering method is different from the past. Most information are delivered and transferred on internet, because the internet platform is convenient to communicate and share information. Consequently, if massive information are generated, the copyright issue will get important. In addition, the digital watermarking becomes a significant solution for hiding copyright information.
    This paper focuses on the copyright issue of digital 3D models. Therefore, we propose a method by adjusting the original texture color of digital 3D models to generate an invisible color difference watermark. The color adjustment method will generate a serious of JND (just noticeable difference) color as a part of watermark. After adding watermark, we can apply a specific virtual lighting to render the 3D model. As a result, the color difference between the watermark and the original texture will be enlarged to be noticed. Finally, we will evaluate the feasibility of the proposed method by questionnaire.
    The experimental results show that the proposed method is feasible. In designing the color of hidden watermarks, the lightness of hidden color is too sensitive to human vision system. Therefore, adjusting chromatic information is better for selecting the color of watermark. In addition, for selecting the decode light, opponent colors of watermark color will be better for showing up the watermark.

    摘要 I ABSTRACT II 誌謝 III 目錄 IV 第 1 章 緒論 1 1.1 研究背景 1 1.2 研究動機 2 1.3 研究目的 3 第 2 章 文獻回顧 4 2.1 數位浮水印 4 2.1.1 浮水印相關特性及分類 6 2.1.2 浮水印嵌入方式比較 7 2.2 色彩知覺與色彩學 9 2.2.1 人眼視覺色彩感知 9 2.2.2 色度系統 10 2.2.3 色彩分辨力 11 2.2.4 CIE色差公式 12 2.3 色彩轉換 14 2.4 渲染流程 17 第 3 章 主要方法與流程 20 3.1 實驗方法概述 20 3.2 實驗流程 21 3.2.1 決定解碼燈光 22 3.2.2 決定原始顏色 22 3.2.3 浮水印顏色的選擇 23 3.3 人因實驗資料庫建置 27 3.3.1 重建模型 27 3.3.2 貼圖顏色處理 29 3.3.3 解碼燈光的選擇 31 3.3.4 浮水印插入方式 43 3.4 人因實驗方法設置 46 3.4.1 人因實驗評價樣本 46 3.4.2 實驗設備校正及實驗環境 48 3.4.3 實驗受測者 49 3.4.4 GUI介面設計 49 第 4 章 實驗結果與討論 52 4.1 前測實驗結果 52 4.2 後測實驗結果 53 第 5 章 結論 74 參考文獻 75 附錄一 : 實驗螢幕資訊 77

    [1] QYR Technology Research Center, “Global 3D Technology Market Research,” QYResearch, Feb. 2016.
    [2] 潘正祥、張真誠、林詠章,挑戰影像處理:數位浮水印技術,蒼海書局2007。
    [3] F. A. P. Petitcolas, R. J. Anderson, and M. G. Kuhn, “Information hiding-a survey,” Proceedings of the IEEE, vol. 87, no. 7, pp. 1062-1078, 1999.
    [4] S.-J. Lee, and S.-H. Jung, “A survey of watermarking techniques applied to multimedia,” Industrial Electronics, 2001. Proceedings. ISIE 2001. IEEE International Symposium, vol. 1, pp. 272-277, 2001.
    [5] F. Husain. “A survey of digital watermarking techniques for multimedia data,” MIT International Journal of Electronics and Communication Engineering, vol. 2, no. 1 pp. 37-43, 2012.
    [6] M. M. Sales, P. RondaoAlface, and B. Macq, “3D objects watermarking and tracking of their visual representations,” The Third International Conferences on Advances in Multimedia, pp. 111, 2011.
    [7] B. L. Gunjal, and S. N. Mali, “Design and implementation of invisible and visible color image watermarkingwith netbeans IDE,” International Journal of Computer Applications, vol. 71, no. 11, pp. 40-45, 2013.
    [8] N. Nikolaidis, and I. Pitas, “Digital image watermarking: an overview,” Multimedia Computing and Systems, 1999. IEEE International Conference on, vol. 1, pp. 1-6, 1999.
    [9] R. G. Van Schyndel, A. Z. Tirkel, and C. F. Osborne, “A digital watermark,” Processing, 1994. Proceedings. ICIP-94., IEEE International Conference, vol. 2, pp. 86-90, 1994.
    [10] G. Chareyron, and A. Trémeau, “Color images watermarking based on minimization of color differences,” Lecture Notes in Computer Science, 2006.
    [11] M. Jiansheng, L. Sukang, and T. Xiaomei, “A digital watermarking algorithm based on DCT and DWT,” International Symposium on Web Information Systems and Applications, pp. 104-107, 2009.
    [12] A. A. Haj, “Combined DWT-DCT digital image watermarking,” Journal of Computer Science, vol. 3, no. 9, pp. 740-746, 2007.
    [13] P. Tsai, Y. C. Hu, and C. C. Chang, “A color image watermarking scheme based on color quantization,” Signal Processing, vol. 84, no. 1, pp. 95-106, 2004.
    [14] R. Ohbuchi, H. Masuda, and M. Aono, “Watermarking three-dimensional polygonal models through geometric and topological modifications,” IEEE Journal on Selected Areas in Communications, vol. 16, no. 4, pp. 551-560, 1998.
    [15] A. Stockman, D. I. A. MacLeod, and N. E. Johnson, “Spectral sensitivities of the human cones,” Journal of the Optical Society of America A, vol. 10, no. 12, pp. 2491-2521, 1993.
    [16] D. L. MacAdam, “Visual sensitivities to color differences in daylight,” Journal of the Optical Society of America A, vol. 32, no. 5, pp. 247-274, 1942.
    [17] 羅梅君,數位色彩管理科學-色彩度量學,藍海文化 2011。
    [18] M. R. Luo, G. Cui, and B. Rigg, “The development of the CIE 2000 colour-difference formula: CIEDE2000,” Color Research and Application, vol. 26, no. 5, pp. 340-350, 2001.
    [19] J. T. Kajiya, “The rendering equation,” ACM Siggraph Computer Graphics, vol. 20, no. 4, pp. 143-150, 1986.
    [20] M. Mahy, L. Eycken, and A. Oosterlinck, “Evaluation of uniform color spaces developed after the adoption of CIELAB and CIELUV,” Color Research and Application, vol. 19, no. 2, pp. 105-121, 1994.
    [21] K.Schläpfer.(1993).Farbmetrik in der Reproduktionstechnik und im Mehrfarbendruck. (2 ed.). : UGRA.
    [22] J. Y. Hardeberg.(2001).Acqusition and reproduction of color images : Colorimetric and Multispectral Approaches. USA : Dissertation.com.
    [23] L. Aldo. “The visual hull concept for silhouette-based image understanding,” IEEE Transactions on Pattern Analysis and Machine Intelligence, vol. 16, no.2, pp. 150-162, 1994.
    [24] 黃日鋒、詹文鑫、陳鴻興、胡國瑞、徐道義、孫沛立、羅梅君,顯示器色彩工程學,全華圖書股份有限公司 2009。
    [25] ITU-RBT.500-13, “Methodology for the subjective assessment of the quality of television pictures,” 2012.

    QR CODE