清明上河圖之音景分析研究｜國立臺灣科技大學博碩士論文系統

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研究生：	顏鈺恬 Yu-Tien Yen
論文名稱：	清明上河圖之音景分析研究 The Soundscape Analyses of Three Scenes in Qingming Shang He Tu (Scenes along the River during the Qingming Festival)
指導教授：	蔡欣君 Shin-Jyun Tsaih
口試委員:	王惠君 Huey-Jiun Wang 江維華 Wei-Hwa Chiang
學位類別：	碩士 Master
系所名稱：	設計學院 - 建築系 Department of Architecture
論文出版年：	2018
畢業學年度：	106
語文別：	英文
論文頁數：	149
中文關鍵詞：	Soundscape 、Qingming Shang He Tu 、Qing Yuan Ben 、Auralization 、Chinese theater styles and forms 、Acoustics
外文關鍵詞：	Soundscape, Qingming Shang He Tu, Qing Yuan Ben, Auralization, Chinese theater styles and forms, Acoustics
相關次數：	點閱：313 下載：5
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Qingming Shang He Tu is one of the most famous realistic Chinese genre paintings. This research focuses on its historical contents and its soundscape, as well as the simulated acoustic condition in some performing space with the subjective listening impression that is based on the auralization. Three selected scenes of Qingming Shang He Tu were studied to establish the live entertainment corresponding to the Song dynasty, and the soundwalks and the taxonomy of sounds were the two soundscape study methods recommended in International Standards Organization (ISO) 12913-1 and ISO 12913-2. Both methods were used to study and record the sound events derived from the painting. Then, acoustic simulation considered the effects of the surrounding environment and its theatrical structural and architectural elements. Auralization was used carefully to depict the acoustic conditions of the painting so Qingming Shang He Tu can also be understood and presented in the hearing and sound domains.

ACKNOWLEDGMENTS .........................................................................................................6 LIST OF TABLES.....................................................................................................................9 LIST OF FIGURES .................................................................................................................10 LIST OF OBJECTS ................................................................................................................. 14 ABSTRACT.............................................................................................................................16
CHAPTER
1 INTRODUCTION ............................................................................................................17
2 LITERATURE REVIEW .................................................................................................20
Introduction of Qingming Shang He Tu ........................................................................... 20
The Painter of Qingming Shang He Tu .....................................................................21
Birth of Qingming Shang He Tu................................................................................25
The Song Dynasty and Bianjing (modern-day Kaifeng)...........................................27
The Versions of Qingming Shang He Tu ......................................................................... 32
The Authenticity of the Versions of the Painting......................................................34
The Overview of the Versions...................................................................................35
The Selection of the Versions....................................................................................41
Entertainment in the Song Dynasty .................................................................................. 42
The Structure and Classification of the Washe and Goulan in Song Dynasty .......... 45
The Composition of “Xi tai” .....................................................................................51 Performing Activities in the Goulan of the Song Dynasty........................................53
Soundscapes......................................................................................................................59 Aural Architecture ............................................................................................................ 64
3 FOUR NARRATIVE SCENES OF “QING YUAN BEN”................................................67
The Brief Introduction of “Qing Yuan Ben”.....................................................................68
The Quiet and Secluded Suburbs in the Woods ...............................................................69
The Busy Canal Transport Along the Bian river..............................................................70
The Prosperous Bianjing City...........................................................................................71
The Secluded Jinmingchi..................................................................................................73
4 SOUNDSCAPE OF THREE SCENES IN “QING YUAN BEN” ..................................... 75
The Temporary Theater Scene..........................................................................................75 Taxonomy of sound for the temporary theater scene ................................................ 77
The Hongqiao Scene.........................................................................................................86 Taxonomy of sound for the Hongqiao Scene............................................................89
The Chinese Shoulder-Carried Puppetry Scene .............................................................101 Taxonomy of sound for the Chinese shoulder-carried puppetry scene ................... 103
5 AURALIZATION OF TEMPORARY THEATER SCENE..........................................111
The Acoustics of Chinese Traditional Theatrical Theater.......................................111
Acoustics Simulation and Setup..............................................................................114
Analysis Simulation Result .....................................................................................121
Subjective listening impression in different locations of auralization ....................126
6 CONCLUSION AND FUTURE STUDY ...................................................................... 131
Conclusion ...................................................................................................................... 131 Future study .................................................................................................................... 132
APPENDIX A........................................................................................................................135 APPENDIX B........................................................................................................................136 APPENDIX C........................................................................................................................138 APPENDIX D........................................................................................................................141 LIST OF REFERENCES.......................................................................................................142
English bibliography.......................................................................................................142 Chinese bibliography......................................................................................................143 Internet bibliography ......................................................................................................145
BIOGRAPHICAL SKETCH ................................................................................................. 149
                                

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