本研究發展一套「以遠距手勢操控的中國書畫程式」，利用先前發展的「無穿戴即時三維指向偵測暨指向手勢辨識系統」作為輸入設備。使用者在三維空間中直接利用手部對應程式裡的三維游標，來進行操作控制以及書畫創作。系統可偵測三維手部座標以及三維手部移動速度，並將此能力應用在使用者書畫創作。
本研究將程式分成兩個介面設計，指令介面與畫作介面，指令介面包含一般工具列（開新檔案、儲存檔案、讀取檔案、列印畫作、預覽畫布、問題求救、程式資訊、關閉）與繪圖工具列（挑筆、選墨式、執筆姿勢、用色）這些基本功能；畫作介面是透過移動手部深度進行書畫創作，深度指引條設置在介面的左側，以此提供使用者了解手部三維座標資訊。
在本研究的最後，對程式做簡單的可用性的評估，總共10位受試者。在不考慮系統限制下，「手勢操控功能鍵下達指令」的部分有95.37%的成功率。「手勢毛筆書畫創作」的部分，可以看到使用者簡單的用無須穿戴的手來模擬毛筆，表現毛筆轉彎、按提各種筆法的展現。

This study developed a “Chinese painting and calligraphy Program” by incorporating a previous developed “3D target acquisition hand movement system” as an input device. The cursor of the program was controlled and the paintings as well as calligraphy were completed by a free hand movement in the 3D spaces. The system emphasis the merit that we are able to track both 3D hand positions and 3D hand speeds of users while they are performing painting and/or calligraphy.
There are two interfaces for the program: main interface and painting interface. In addition to the basic functions of new, save, read, print, preview, question, information, and close, brush size, wetness of ink, posture, and colors were installed to the main interface. Where as in the painting interface, the depth of the hand movement in relation to the painting was visualized using a color bar on the left side of the interface, thus allowed user to realize his hand positions in 3D in relation to the painting interface.
To verify the usability the program, a test was performed on 10 subjects. The results showed the recognition rate of all comments is 95.37%. It was demonstrated in the study that users could easily using 3D free hand movements as a simulate brush. The positions and the speed of the 3D hand movement would be used to express a pull, a turn, a pressed down, and/or a lifted up of the brush so as to create various brush bristles and different calligraphic styles.

英文
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中文
[11] 連挺佑（民91）。毛筆筆鋒之模擬及其水墨書畫系統，國立台灣大學資訊工程學系碩士論文，台北市。

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